Young Avengers Archives - Robot 6 @ Comic Book Resources
The nominees have been announced for the Gay and Lesbian Alliance Against Defamation’s 25th annual Media Awards, which honor outstanding portrayals of the gay, lesbian, bisexual and transgender communities.
The nominees for outstanding comic book are:
Following the conclusion this week of Kieron Gillen and Jame McKelvie’s run on Young Avengers with Issue 15, the writer turns to his blog to break down the comics that influenced the well-regarded series. And a couple of them may surprise you.
Grant Morrison is well-represented on the list, with We3, Kill Your Boyfriend and The Invisibles, and so is Peter Milligan. But Gillen also gives a shout-out to the 1970s oeuvre of the late Steve Gerber.
“Just have a wander through it. Howard the Duck, obv, but also his Defenders – a parallel I picked up when reading Colin TBTABC talk about it,” Gillen writes. “I’m not the biggest 70s connoisseur, so my knowledge is piecemeal, but his approach to superhero comics was something that resonated in the back of my head when writing Young Avengers, in terms of thinking of people who were absolutely mainstream while doing things that I wanted to do. Trollingly calling an arc STYLE > SUBSTANCE could have only been more of a Gerber move if I called it ON THE NOSE or something.”
There’s more at the blog, including a funny nod to one of Gillen and McKelvie’s previous collaborations.
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out on Wednesday.
So without further ado, let’s get to it …
My favorite Thor-themed joke appeared in The Sandman, where the god of thunder delivers the off-color punchline “You’re Thor? I’m tho thore I can hardly pith!” But next on the list may be this groan-inducing yet adorable visual gag from Charmin — first, because deep down inside I’m 12 years old, and second … because it’s a toilet paper manufacturer.
Of course, I’m hesitant to mention to Charmin that Allan Heinberg and Jim Cheung, through the character Kate Bishop, made the same play on “Asgardian” eight years ago in Young Avengers #6 (below) — although, in fairness, it was in a wildly different context.
Here I am, like so many of you fine, wonderful people, relaxing at home instead of walking among the majestic masses of Comic-Con International in San Diego. Comic Book Resources and Robot 6 are keeping we homebodies abreast of all the news from this year’s mega-super-hyper event, so it’s kind of nice to be able to sit in a comfortable chair while still keeping informed and not having to pay $9 for a burrito.
Sure, it’d be nice to be there, wouldn’t it? To stand in line and take your chance at a microphone to tell the House of Ideas your opinion, ask questions of your favorite creative teams and get attention from the editorial team? Good news! That’s what social media can do for you! We live in an amazing time where a tweet to your favorite artist could be replied to with casual familiarity or a Tumblr post could get you a sneak peek at exclusive artwork. Marvel Executive Editor Tom Brevoort has a Formspring account (now moved to Tumblr here) so you can ask him any question at any time of night. The people who produce comics are surprisingly at the hands of their public, which for Marvel, isn’t that new of an idea.
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today our guest is Shaun Manning, a former staffer at CBR, occasional convention reporter and comics writer. His current project is a comic called Hell, Nebraska (with artist Anna Wieszczyk), and he’s currently running a Kickstarter to raise funds to publish it. So go check it out.
To see what Shaun and the Robot 6 crew have been reading, click below.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been checking out lately. Today our special guest is Chris Sims, senior writer for ComicsAlliance, blogger at Chris’s Invincible Super Blog and writer of comics like Dracula the Unconquered and Awesome Hospital.
To see what Chris and the Robot 6 crew have been reading, click below.
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
Hello and welcome to What Are You Reading?, where we reveal our picks for the best Super Bowl ads … er, where we talk about what we’ve been reading lately. Today our special guest is Sonia Harris, who writes a weekly column – Committed – for Comics Should Be Good, and is a graphic designer on books such as Butcher Baker the Righteous Maker (collected in hardcover now from Image Comics) and upcoming comic books SEX (beginning March) and The Bounce. (beginning May).
To see what Sonia and the Robot 6 crew have been reading, click below.
With Young Avengers #1 on stands for the better part of a week now, writer Kieron Gillen has rolled out a “director’s commentary” of sorts that provides an entertaining and insightful peek behind the scenes of the Marvel series.
For instance, Gillen explains things like his goals for certain scenes, and how artist Jamie McKelvie had to redraw Hulkling’s tentacles, “because they originally looked like big ol’ cocks.” But perhaps most interesting are the defenses he lays out for a couple of criticisms of the issue — one I’d seen pop up online, the other I hadn’t.
The latter is Loki’s use of the portmanteau (it qualifies, yeah?) “terribad” during his confrontation with Miss America. “It’s funny. I got away with the Phone Booth but some people tripped over Terribad, when it’s absolutely IC [in character] for Loki in his mix of bad internet gibberish and old norse,” Gillen writes. “I suspect that’s people who’ve never read any of Kid Loki before. C’est la vie.”
However, it’s his explanation of the double-page title spread following the opening sequence, below, that proves the most engaging (don’t worry, it didn’t eat into the number of story pages).
“It serves a purpose here bar triumphalism,” Gillen writes. “It’s a cold hard break between the opening and the rest of the story – a hard re-set. Lauren did ask about the justification for this seemingly non-related intro, and I explained it to her as a PULP FICTION opening. [...] Essentially, it goes quiet-conversation in the style of the film setting mood, exploding into shouted sweary gun-wielding violence, freeze-frame and hard cut to the black screen with the titles and that Dick Dale Guitar. We don’t come back to the young robbers until way into the film, but it doesn’t matter- its initial purpose is that it explains Pulp Fiction in miniature, right there. And then we go to a much slower paced section which builds, etc. You know what the film is from then on in. That’s what the opening was for. The rest of the book is relatively grounded, but in the opening I give a concentrated portrait of the whole vision. This is what we do.”
Let me explain: Young Avengers #1 came out this week, and I’d been lucky enough to see some early artwork, read some Phonogram and read some interviews with Kieron Gillen and Jamie McKelvie (man, that interviewer is so good!) in preparation for the new take on the series. After all, this is Marvel NOW! so why not get an idea of what the future will bring? While everything is certainly all-new and all-different around the House of Ideas, that doesn’t mean we’ll be in for too much of a shock as long as we follow along.
One look at all of the promotion for this book in the past few months explains the whole thing: This book will not be like anything else in the “Avengers” department. While other titles with the team name might focus on more group-based events and threats, the Young Avengers are still trying to figure out who they are before looking at what they mean together as a unit. The clean lines of the artwork suggest a more modern take on a classic teen-superhero story, the amount of detail and thought put into every fight scene and quiet character interaction — there’s just so much to see within the story and without in more of a meta fashion. Gillen and McKelvie either worked hard on making their points come across in every panel or else they are just so effortlessly cool that it dazzles nerds like me. I am amazed and bewildered by this first issue, and I can’t wait to get my hands on Issue 2.
In November I decided to use myself as a case study for the first issue of one of the series debuting as part of Marvel NOW!, the publisher’s concentrated, unified effort to sell its comics to a wider audience, which presumably meant luring in lapsed and new readers. That first issue I read was Fantastic Four #1 by Matt Fraction and Mark Bagley; I didn’t much care for it.
This week I picked up Young Avengers #1 by Kieron Gillen, Jamie McKelvie and Mike Norton, giving it the same treatment. (Between the two, I also tried Fraction and Mike and Laura Allred’s FF #1 and loved it, but didn’t write about it in this manner because … well, I don’t remember why. Here’s what I said about the first issue the week it was released, though). Ready?
My background: I read the first dozen 2005-2006 Young Avengers comics by creators Allan Heinberg and Jim Cheung, but gradually lost interest in the characters at about the same rate Heinberg did. Over the years I’ve read various Young Avengers-related comics, most of which Marvel seemed to be producing to fill the demand for Young Avengers comics while waiting for Heinberg to write more: Young Avengers Presents, Civil War: Young Avengers and Runaways, Secret Invasion: Runaways/Young Avengers. But when he finally did return, I didn’t.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this week, it’d be all first issues, all the time. Being a Trek fan, I couldn’t resist IDW’s Star Trek: Countdown to Darkness #1 ($3.99), offering some glimpses into the new movie for the first time outside of the trailer, for one thing. Kieron Gillen and Jamie McKelvie’s Young Avengers #1 (Marvel, $2.99) looks to be equally unmissable judging from both the previews and interviews heralding its launch, and also Gillen’s performance on Iron Man and other titles recently, so that’d make it in there, too. Finally, I’d grab The Answer #1 (Dark Horse, $3.99), Dennis Hopeless and Mike Norton’s new superhero/mystery series. I’ve been back and forth about Hopeless in the past (loved his X-Men: Season One; hate his Avengers Arena), but the hook for this one looks pretty solid and Norton’s work is always nice to gaze at.
Should I suddenly find myself with an additional $15, I’d add some current favorites to the pile: Chris Roberson and Dennis Calero’s pulp dystopia Masks #3 (Dynamite, $3.99), Jonathan Hickman and Jerome Opena’s Avengers #3 (Marvel, $3.99, and less a “favorite” than an “undecided about, but was surprised by how much I appreciated that second issue”) and Greg Rucka and Matt Southworth’s Stumptown #5 (Oni, $3.99). After the fourth issue of Stumptown, I’d pick that last one up even if Rucka had accidentally forgotten to write any dialogue in there. Did you see that last issue? Man …
Were I to splurge, it’d almost feel greedy after this week of bounty. Nonetheless, I’d grab The Spider, Vol. 1: Terror of The Zombie Queen (Dynamite, $19.99), the collected edition of the first storyline from David Liss’ revival of the pulp hero that I loved based on the first issue but somehow fell off of before the end of that first arc for reasons that escape me. Definitely curious to revisit it.
“The main characters are Wiccan and Hulkling, a young gay couple who have inspired a lot of love and a lot of NSFW Tumblr art. There’s also Kid Loki from my last book, Miss America and a female Hawkeye. Plus there’s Noh-Varr, who’s sort of an alien hipster. The way some kids are obsessed with Japan, he’s obsessed with Earth. David Bowie was the primary influence on Noh-Varr, specifically The Man Who Fell to Earth, a splash of Ziggy and a lot of lithe sexuality. Now Bowie’s back too. On any scale I care about, Bowie is a superhero.”
– writer Kieron Gillen, explaining Marvel’s new Young Avengers to readers of The Guardian
We’re probably as excited about Young Avengers as we are about any of the titles launching as part of the Marvel NOW! initiative. Not only does the series reunite Phonogram collaborators Kieron Gillen and Jamie McKelvie, it teams Young Avengers mainstays like Hulking, Wiccan and Kate Bishop with Miss America, Marvel Boy and fan favorite Kid Loki — at least for starters.
“… What I want to do in Young Avengers is build a kind of larger metastructure that you can use to explore any part of the teen-leaning Marvel Universe outside the traditional doctrines of the larger government side heroes,” Gillen told Comic Book Resources in October. “I have a real strong vision for 12 issues. I have no idea if I’ll be staying on after that or going, but I have 12 definitive, brilliant issues, or maybe 13. After that Young Avengers will be set up as a device where you can go to any of the Marvel Universe locales where teen heroes live and work like the West Coast with the Runaways or the Jean Grey School. It’s a very wide ranging book in that way. For me it’s super heroism as a metaphor for talent and deciding what you want to do with it. There’s a line in my original proposal for this that the original Young Avengers book was kind of about being 16. This book is about being 18.”
Although we still have to wait a few weeks for the debut of Young Avengers — Jan. 23, to be exact — Marvel has provided ROBOT 6 with an exclusive first look at Issue 2, due to arrive Feb. 27: