NYCC PHOTO PARADE: Comics, Creators & Cosplay Collide on Thursday
Comic Books, Film, TV, Video Games, Digital Comics
Creators | Scott Snyder discusses his horror comic Wytches, starting with why he used the unusual spelling: “We wanted to do something that basically would announce that we were trying to make the classic monster our own. For me, it separated the witches that you knew from what we were going to do in our book. It was an aesthetic thing and it made it look a little more ancient.” [Suicide Girls]
Political Cartoons | Laurent Sourisseau, the editor of Charlie Hebdo, says he will not draw any more cartoons of the Prophet Muhammad. “We’ve done our job. We have defended the right to caricature,” Sourisseau told the German magazine Stern, but he also said, “We have drawn Muhammad to defend the principle that one can draw whatever they want. It is a bit strange though: we are expected to exercise a freedom of expression that no one dares to.” Sourisseau was in the Charlie Hebdo offices when they were attacked in January by armed gunmen who killed eight of his colleagues and four other people. He survived by pretending to be dead. “[W]hen it was over, there was no sound. No complaints. No whining. That is when I understood that most were dead,” he said. Sourisseau is the second Charlie Hebdo staffer to declare he will no longer draw cartoons of the Prophet Muhammad; the cartoonist Luz said in April that “I am tired of him, just like [former French President Nicolas] Sarkozy. I am not going to spend my life drawing them.” [Deutsche Welle]
I got to know Ryan Sands almost 10 years ago, when he was publishing the strangest manga I had ever seen on his blog Same Hat! Since then, I’ve watched him follow his enthusiasm for innovative comics as the publisher of the Electric Ant zine, the translator of Suehiro Maruo’s The Strange Tale of Panorama Island for Last Gasp and now, as he explained to Chris Mautner in August, the creator of his own small press, Youth in Decline.
His flagship publication is Frontier, an anthology series in which each issue is a complete comic by a single creator. Frontier ended 2014 strong with comics by Emily Carroll and Sam Alden, and this year’s lineup looks equally good, with Jillian Tamaki, Anna Deflorian, Becca Tobin and Michael DeForge on the roster.
Sands has signed up some of the most interesting up-and-coming creators in the indie comics scene and has presented their works in interesting and sophisticated ways, so I asked him to talk to me in depth about his work on Frontier.
Brigid Alverson: The Frontier anthology seems to be evolving into a place for side stories or experimental work by creators who are already working on other, longer projects. Do you think these comics would be published if not for Frontier?
Ryan Sands: The goal for the Frontier series is to spotlight each individual artist and a distinct story or collection of work. I tried to set out the goal pretty explicitly on our site when starting Frontier, saying we’d focus on three types of books: up-and-coming talent in the North American indie scene, introducing the work of international artists I like, and presenting “uncommon dispatches” from more-established creators. The first year of Frontier was mostly focused on the first two goals, but with Sam Alden and Emily Carroll’s books — and now with Jillian Tamaki and Michael DeForge creating issues for 2015—I’m hoping to mix in some of these interesting stories from established creators.
Ryan Sands is no stranger to the world of comics. Many comics fans – especially those drawn to the strange and wacky – no doubt came across the Same Hat blog and Tumblr he created with Evan Hayden. In addition, he has worked as a translator on such marvelous manga as Tokyo Zombie and The Strange Tale of Panorama Island, and more recently, as a publisher, releasing the Electric Ant Zine and (with Michael DeForge) three issues of the acclaimed sex-themed anthology Thickness.
Last year Sands fully immersed himself in publisher waters with the creation of the imprint Youth in Decline, whose flagship series Frontier is a rotating anthology similar to DC’s Solo series in concept, highlighting unique and little-known cartoonists and illustrators.
Four issues of Frontier have been released thus far, showcasing Uno Moralez, Hellen Jo, Sascha Hommer and Ping Zhu. With his publishing venture off and running, I thought this might make for a good time to talk with Sands about his company, his plans for the future and just how he ended up here in the first place.
Manga | Shueisha’s Weekly Shonen Jump has announced that One Piece will go on hiatus for the magazine’s next two issues because creator Eiichiro Oda has been hospitalized for a peritonsillar abscess, a complication of tonsillitis. The popular series is expected to return June 10. One Piece, which has been serialized in Weekly Shonen Jump since 1997, has sold more than 280 million volumes in Japan alone. [Anime News Network]
Creators | Art Spiegelman and Francoise Mouly share their thoughts (and sometimes disagree) on their own world, the comics world in general, and digital media. [National Post]
Publishing | Calvin Reid looks at Archie Comics’ growing book-market presence, which has exploded since the publisher signed Random House as its distributor in 2010. [Publishers Weekly]
Creators | Matt Kindt, author of Red-Handed, writes about how becoming a comics creator has made it impossible for him to enjoy reading comics for their own sake. [The Huffington Post]
Awards | Animal Land, by Zatch Bell creator Makoto Raiku, took the Best Children’s Manga honors in Kodansha’s 37th annual manga awards. The sports manga Gurazeni won the overall award for best manga. [Anime News Network]
Comics are art, never forget that. And while epic storytelling has been the staple of serialized comics for decades, it’s the art that makes these comics … well, comics. And a long-time devotee of the more esoteric and outsider veins of comic art is now putting it under one roof with a new publishing house called Youth in Decline.
Described on its Twitter page as “a publisher of lovely and strange comics & zines,” Youth in Decline is a new boutique publisher headed by Ryan Sands of the blog Same Hat, a proponent of comics zine culture and underground manga. Sands worked behind the scenes in comics for years, editing and translating manga for Last Gasp as well publishing zines like Electric Ant, the anthology Thickness and Prison For Bitches with Michael DeForge. The first publication coming from Sands’ Youth in Decline is an ongoing anthology series titled Frontier, with each issue devoted to a single artist.