Zatanna Archives - Robot 6 @ Comic Book Resources
Kotobukiya has unveiled the latest addition to its line of DC Comics Bishoujo statues: Zatanna.
Sculpted by Sculpted by Takaboku Busujima (Busujimax) from character art created by Shunya Yamashita, the statue stands a little less than 10 inches tall. Here’s how Kotobukiya describes it:
Although the teaser trailer is, naturally, brief, it may be just intriguing enough to draw fans of Zatanna to the Kickstarter campaign page for Theo Brown‘s fan film. And once there, the story pitch may just seal the deal.
The writer/director proposes a retelling of Zatanna’s origins, with the magician grappling with both “a villain greater than anything she’s ever faced” and her own inner-conflict about the loss of her father.
Getting a jump on NBC’s Constantine, Kevin Housand, Charles Winston Propst and One Riot One Ranger Productions have created Justice League Dark, an 11-minute short that sends the DC Comics occult detective and Zatanna on a mission to rescue her father — with a little bit of help.
The fan film also serves as a prologue of sorts, teasing the introduction of at least one other character from DC’s supernatural stable, which would presumably lead to the establishment of Justice League Dark.
Artist Juan Carlos Ruiz Burgos recently added the above Zatanna illustration to his deviantART gallery, drawing our attention to his occasional series of frankly amazing tributes to the classic Saturday Evening Post covers using DC Comics characters.
In addition to Zatanna, surrounded on stage by white rabbits, there’s a heartwarming depiction of Clark Kent casually reading The Daily Planet as a little boy gapes in awe at Action Comics #1, The Joker and Harley Quinn on the run like Bonnie and Clyde, Wonder Woman listening thoughtfully to a little girl, and an autumnal Poison Ivy piece that’s probably not safe for work.
I think DC Comics missed a trick with the long-awaited, Paul Dini-written Black Canary/Zatanna original graphic novel, which finally arrived in this week. Why was there no special edition, fishnet stocking-covered incentive variant? Publishers did a lot of crazy things with covers in the 1990s, and they’ve been doing increasingly crazy things with them in this decade, but I’m pretty sure no one’s ever published one draped in fishnet …
Fishnets are, of course, the most immediate visual commonality between the two superheroines, and this long-in-the-works project, first announced in 2006, was once jokingly referred to as The Fishnet Brigade (a riff on Neil Gaiman’s Books of Magic series, in which John Constantine referred to himself, The Phantom Stranger, Dr. Occult and Mister E as “The Trench Coat Brigade”). Dini and DC do acknowledge the importance of the heroines’ legwear, as the cover under the dust jacket and end pages bears a fishnet design, and there’s a scene in which the pair goes shopping for stockings together (“At the rate we go through these things, that place should give us a fifty percent discount,” Zee tells Canary).
The two have a lot more in common than that, of course. They’re also fan-favorite characters who have never been able to break out as stars in their own right (at least, not for long), generally appearing in team books and as supporting characters. And, of course, they’re both among the longest-serving members of the Justice League who weren’t founders, the characters being among the earlier additions to DC’s premier super-team (Black Canary joined in 1969; Zatanna began appearing in the book in the ’60s, and was finally offered full membership in 1978).
Oh, and they both appeared often on the Justice League cartoon, often times written by Dini, who is a fan of both characters.
If you aren’t following the blog of artist Joe Quinones (FF, Wednesday Comics), then you’re missing out on some terrific glimpses of Black Canary and Zatanna: Bloodspell, the long-awaited graphic novel written by Paul Dini.
Each Wednesday for the past month, Quinones has revealed one or two panels from the book, some more complete than others, as he counts down to the planned May 21 release.
We’ve known for a while that DC’s superhero line will go through some changes in the wake of Forever Evil, and as the March solicitations bring the end of that Big Event, not surprisingly the month looks rather transitory. In fact, Forever Evil #7 is scheduled to appear on March 26, just as the final issue of Blackest Night — also written by Geoff Johns as a spinoff of his highest-profile series, in case you’d forgotten — dropped on the last week of March 2010. (It must be pure coincidence that these solicits feature a $200 White Power Battery tchotcke.) Back then, BN #8 was supposed to “set the stage” for the “next epic era of DC Comics,” which turned out to be about 18 months long and featured the biweekly sort-of-sequel miniseries Brightest Day. This time, Forever Evil #7 teases the importance of the “Hooded Man” and promises to “leave the DC universe reeling and reveal the secrets to the future.”
So, yeah, sounds like another cliffhanger ending, perhaps even leading into another big-deal miniseries — specifically, the May-debuting weekly Futures End. Considering that the three tie-in miniseries (ARGUS, Arkham War and Rogues Rebellion) all seem to feed into FE #7, the actual content of that final issue may well be a giant scrum, not unlike the final issue of Flashpoint, in which some cosmic button is pushed, defeating the Crime Syndicate but at a significant cost to DC-Earth. As it happens, there’s no mention of the “Blight” sub-crossover (bringing together Phantom Stranger, Pandora, Constantine and JL Dark) feeding back into Forever Evil, but I’m not sure how much it’s supposed to relate, beyond being about the JLD trying to pick up the post-invasion pieces.
What do we want out of a comic-based television series?
At this point in pop-culture history the corporate synergies are so closely aligned, and the fans so plugged in, that we can all come up with various ways to adapt our favorite comics into TV shows or movies. I mean, when I heard about the proposed Gotham drama — lots of Gordon, no Batman, some supervillains — it got me thinking about a half-dozen other DC features that would make passable TV series.
For example …
• Martian Manhunter: that detective’s really an alien shapeshifter with all of Superman’s powers, but he doesn’t know his version of General Zod is also on Earth and looking for him!
• Challengers of the Unknown: living on borrowed time after inexplicably surviving a plane crash, four adventurers solve the world’s weirdest mysteries!
• Adam Strange: it’s Indiana Jones with a jetpack, as an Earth archaeologist finds himself on another planet!
Creators | Sarah Glidden, creator of How to Understand Israel in 60 Days or Less, chronicles her time at Occupy Miami Nov. 15-21 in a sketchbook. [Cartoon Movement]
Creators | Corey Blake follows up on the Bill Mantlo story published by LIfeHealthPro, including some clarifications of issues raised in the story and additional details on various fundraisers over the years to help pay for Mantlo’s care. [Corey Blake]
Creators | Harvard’s Berkman Center for Internet & Society Podcast interviews Skullkickers writer Jim Zubkavich about piracy and the Stop Online Piracy Act. [Berkman Center for Internet & Society Podcast]
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
… I’d be down with that. But while that may not be the case, this piece featuring Wonder Woman and other DC heroines in a Runaways-esque pose drawn by Cliff Chiang will be included in the HeroesCon art auction this weekend. Which is pretty rockin’.
Hello and welcome to Wha Are You Reading? Today our special guest is illustrator, photographer, writer, filmmaker and jazz musician Dave McKean, whose works include Cages, Mr. Punch, Signal to Noise, The Day I Swapped My Dad for Two Goldfish, Arkham Asylum: A Serious House on Serious Earth, Violent Cases, Coraline and many, many more. He has a new book with writer Richard Dawkins, The Magic of Reality: How We Know What’s Really True, coming out in October, as well as a graphic novel called Celluloid coming out from Fantagraphics in June. Special thanks to Chris Mautner for asking him to participate this week.
To see what Dave and the Robot 6 crew have been reading, click below …
Paul Dini has a long history with DC’s resident magic woman Zatanna, and it looks like a long-gestating project will see him team the character with Black Canary. The girl-centric comics blog DC Women Kicking Ass picked up this scoop while walking the floor of the Boston Comic Con from none other than the artist himself, Joe Quinones.
Titled Bloodspell, the book is set to debut in 2012. The blogger recounted the plot as told to them by Quinones, saying “The book begins with a back story where an 11 year old Zatanna meets a 16 year old Dinah Lance. And the two don’t get off to a good start on this trip to Mt. Everest.” Here’s two pages from the project that Quinones had on display at the con.
Happy Easter and welcome to What Are You Reading?, our weekly look back at the comics and other stuff we’ve checked out recently.
To see what Chris and the Robot 6 crew have been reading lately, click the link below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on what we call our “Splurge” item.
If I had $15, the first pick this week would be the relaunched Dark Horse Presents #1 (Dark Horse, $7.99). As a reader of the title in all its previous incarnations, I have a love for the format but also a desire to see them improve on it; editor Mike Richardson seems to have the right mix of big names and up-and-comers to make this work. Second up would be DMZ #64 (DC/Vertigo, $2.99), and this issue is the final issue in the “Free States Rising” arc and the first real sit-down between Matty and Zee in ages. Third would be Rick Remender’s covert ops squad Uncanny X-Force #8 (Marvel, $3.99). At first glance I question why I like this so much, but when I think about it, it becomes easy: I enjoy Remender’s storytelling, the artists they’ve had and the fearless nature to dig up some classic concepts from early 90s X-Men comics and general Marvel U stuff.
If I found $30 in my pocket instead of $15, I’d double back and pick up a pair of Invincibles: Invincible #79 (Image, $2.99) and Invincible Iron Man #503 (Marvel, $3.99). I really enjoy what these two teams are doing: carving out long expanding story-arcs that can only happen with long-term teams like these two have been fortunate enough to have. Third would be Jason Aaron and Daniel Acuna’s Wolverine #8 (Marvel, $3.99); although Daniel Acuna is known as a more glossy artist akin to Ed McGuinness meets Alex Ross, I think he really bucks that with the story arc he’s working on here. Lastly would be Avengers #12 (Marvel, $3.99) -– it really blows my mind that Bendis and Romita can do such a throw-back classic Avengers story and still keep the high sales going. I’m not complaining -– I love these stories as much as I love Avengers comics of lore, but they never sold this well.