Axel-In-Charge: Waid & Samnee on "Black Widow" and the Dawn of the All-New, All-Different Era
Fan excitement last year over The Complete Zenith!, collecting the lost 1980s superhero saga by Grant Morrison and Steve Yeowell, was tempered both by the unresolved rights dispute and the roughly $150 price tag for the limited edition (still, the 1,000-copy print run sold out). However, as promised, Rebellion is preparing to release four non-limited hardcovers collecting the entire story — and it has provided ROBOT 6 with an exclusive first look at their interlocking covers.
Although a new profile of Grant Morrison closes with the promise of the third and final volume of Seaguy in 2014, his collaborator Cameron Stewart cautions excited fans that “It’s still a long way off.”
Published ahead of Morrison’s appearance at the Edinburgh International Book Festival, the Guardian article focuses primarily on the newly retitled Wonder Woman: The Trial of Diana Prince, and touches upon some recent personal losses, his dispute with Rebellion over the Zenith rights and — seemingly out of nowhere — his, let’s say, complicated history with Mark Millar before ending on the long-awaited conclusion of Seaguy.
“It’s honestly the best I’ve ever written,” he says of the saga that began in 2004. “It never sold well, but it’s my thing. I want Seaguy to remain as my statement about life and death and the universe.”
But while The Guardian asserts the final miniseries, presumably still titled Seaguy Eternal, is “due out next year,” Stewart suggests that timeline is a bit optimistic.
“INB4 everyone assuming Seaguy 3 is done or even a work in progress, when I have still not even received a script,” he wrote this morning on Twitter. “Which isn’t to say I’ve been sitting around waiting for a script that isn’t coming — I’ve been busy, so has Grant. It’s still a long way off.”
Also of note from the Morrison interview:
Conventions | Last week’s Chicago Comic & Entertainment Expo drew 53,000 attendees, the largest crowd yet for the Chicago-based show, which is in its fourth year. Reed Exhibitions Group Vice President Lance Fensterman talks about the high points of the show and plans for the next couple of years. [ICv2]
Graphic novels | Heidi MacDonald tracks the rise in popularity of graphic novels among librarians, whose support has been integral to the growth of the industry. Her well-researched article includes interviews with public librarians, school librarians, and academic librarians, as well as publishers and others in the field. It’s a comprehensive overview of one of the most important, and least reported-on, areas of our world. [Publishers Weekly]
Comics | Alex Hern looks at three comics that have long been out of print but are now back, or possibly on their way back: Flex Mentallo, Marvelman and Zenith. [The New Statesman]
As it turns out, April will see the release of one of those collections that I’ve always wanted, but had pretty much given up all hope of ever seeing, as Nick Abadzis’ Hugo Tate gets a complete collection and – hopefully – the comic world will realize what an amazing, important comic it’s been missing out on for so long. But the fact that this series is finally getting re-released and just might get the attention and treatment it deserves has me thinking: What other long-vanished projects need this kind of return?
(Warning: Strong Brit-centric suggestions ahead. What can I say? Most of my formative comic experiences were either British or Marvel or DC…)