Major "Justice League" #50 Revelations, Changes Lead Into "DC Universe: Rebirth"
As DC’s “Zero Month” continues, this past week they introduced a brand new comic into the mix with Sword of Sorcery #0. The comic features two stories; the first is the return of Amethyst, written by Christy Marx and drawn by Aaron Lopresti, and the second is Beowulf by Tony Bedard and Jesus Saiz. It’s been a really long time since either concept graced the pages of DC Comics, so how did the new takes stack up? Here are some thoughts and comments from around the web:
Matthew Santori-Griffith, Comicosity: “DC is delivering my favorite of the New 52 Wave 3 titles so far with Sword of Sorcery, proffering two very different, but equally compelling, protagonists in Amy Winston/Amethyst and Beowulf. Marx and Bedard are both crafting very introductory tales here, but I actually can’t fault them for it. The take here is more fantasy than super-hero and readers may need a little more set-up for the less familiar genre tales.”
Minhquan Nguyen, Weekly Comic Book Review: “The plot itself is nothing much: the reclamation of a throne, a family power struggle, warring houses, and ancient history. This is Fantasy 101, but Marx seems to recognize that, so we should expect some new ideas down the line. In fact, Marx begins the process by drawing upon the rest of the DCU for inspiration, including the unexpected appearance of a certain magical mainstay towards the end. You don’t expect this particular bloke to show up in this particular title.”
DC Comics celebrates the first year of the New 52 relaunch by declaring September “Zero Month,” where each #0 issue of their titles takes us back in time before the events we’ve seen over the last 12 months. This week saw the release of several zero issues, including Action Comics by Grant Morrison and Ben Oliver. These zero issues, no doubt, are the “perfect jumping on” point for new or lapsed readers who may have fallen off certain titles since the relaunch, at least in theory. Does that theory hold up for Action Comics #0? Here are a few opinions from around the web:
James Hunt, Comic Book Resources: “In many ways, this is good stunt for someone with Morrison’s sensibilities. The writer’s earliest issues were by far the best of the series, presenting a radically different and interesting take on Superman with very clear ideas about his situation. Recent issues have seen that gradually give way to something a bit more conventional (if you can call the super-armor conventional) but Morrison has taken the ‘zero issue’ approach quite literally with a story that fits almost perfectly before last year’s Action Comics #1.”
Jesse Schedeen, IGN: The best compliment I can give this issue is that it feels more consistent and cohesive than the majority of Morrison’s previous issues have been. The plot is relatively simple by Morrison standards, so rather than cutting between scenes and points in time intermittently, Morrison is able to follow the journey from point A to B in a more methodical manner. Issue #0 opens where one of the recent backup stories left off, with Clark ordering his first batch of Superman T-shirts. From there, we see him settle into his role at the Daily Star, interact with Jimmy Olsen, and put his growing abilities to the test for the first time as Metropolis’ new defender.”
Captain Atom, Resurrection Man and Voodoo will end in September, joining Justice League International in DC Comics’ second wave of New 52 cancellations. As the publisher announced last week, four new titles — Talon, Sword of Sorcery, The Phantom Stranger and Team 7 — will launch as part of the “Zero Month” initiative.
In short, four series end, four series begin, and in October the title count returns to the magical 52 and balance is restored to the DC Universe.
The solicitations also reveal that September’s DC Universe Presents #0 will feature Blackhawks’ Mother Machine, Hawk and Dove, Mister Terrific and O.M.A.C., all characters whose titles ended in May, underscoring comments made last week by Co-Publisher Dan DiDio that, “if a series does go away, we want to make sure we have a proper place for the characters.”
Think of it as the 2012 version of the Cancelled Comic Cavalcade, only this time with all-new adventures that the solicitation text promises will “play out across the entire New 52.” It’s a 64-page issue by the likes of DiDio, Cafu, James Robinson, Rob Liefeld and Marat Mychaels.
Note that there’s no sign of Static or the Men of War crew, who were also set adrift in the New 52’s first wave of cancellations. Perhaps there will be room for those characters, alongside Captain Atom, Resurrection Man and Voodoo, in an upcoming issue.
On Friday, DC Comics announced four titles will launch in September, at which point the New 52 DCU (or New52U) will be one year old, and every title will get a special zero issue (you remember; you were there).
At this point, it’s unclear whether DC will be canceling four existing books to make room for this third wave of new titles — remember when the publisher announced a half-dozen new books in May, it was to replace a half-dozen canceled ones — but given the amount of work that went into making “The New 52″ a thing, it seems likely that four books will be canceled shortly to keep the number consistent.
Of course, DC doesn’t always do what seems most likely, does it? For example, when rebooting and relaunching the entire line of comics in an attempt to increase readership by seeking out new audiences, it mostly just rearranged their creative teams, so the “new” DC Comics were being made by the same people who made the “old” DC Comics, which is a little like a losing baseball team deciding to have all the players trade positions and see if that helps.
But what about these new titles? Who is making them, and what chance do they have in today’s market? Better than Hawk and Dove and OMAC? What chance do they have of growing today’s market or, at the very least, growing DC’s readership?
Let’s take a closer look at the books, and judge them by the judge-able information DC has released: Continue Reading »